I'm often fascinated by the 'taxonomical' categories that take us beyond the rational divisions of life.
I thought of this again when we visited the Francis Bacon exhibition at the Art Gallery of New South Wales on Sunday.
http://www.artgallery.nsw.gov.au/exhibitions/francis-bacon/
You saw Bacon returning time and again to similar themes - Crucifixion, nailing, meat, carcasses, flesh, crumpling (as in crumpled paper)...
In Singing the Land, Signing the Land, a book brought out some years ago by Helen Chambers with the Yolngu community at Yirrkala and David Wade Chambers, the authors pointed out the way varying divisions of life prove the fictional 'constructedness' of our worlds.
http://singing.indigenousknowledge.org
The Dyirbal people of Queensland, they mentioned, have a category that includes men, kangaroos, most snakes, storms, rainbows and boomerangs, and another which includes women, fire and dangerous things. There are aboriginal people who would disparage our categorization of emus as birds; emus don't fly. How can we even think of dividing up the world this way?
I wonder what the categories of my blogs might say about me - Central Australia, Sydney scenery, Aranda culture, AFL football, Washington, Jefferson, Wagner opera, Philippa Duke Schuyler, Inner West vignettes...
And what creates these fusions. For example, I have a strong memory dating from 1983 of sitting in my friends the Christians' house in Gap Road Alice Springs; we all ate Toblerone, drank Earl Gray and listened to Side 4 of Solti's recording of Mahler's Eighth Symphony (the bit beginning with René Kollo singing, 'Blicket auf zum Retterblick (Look up to the redeeming sight...)'
Mahler's Eighth, with its texts of Veni creator Spiritus and the last scene from Goethe's Faust has nothing to do with quickly-melting chocolate, steaming tea and Alice Springs on sweaty summer nights, but its last half hour is forever wedded to these memories of mine.
If you liked this blog, others of mine on Central Australia are:
Life-changing statements, 16 December 2012
Ah, Nathanael, 29 November 2012
Victory over death and despair in a bygone age (thoughts on John Strehlow's The Tale of Frieda Keysser), 5 Nov 2012
Virginia in the Desert, 10 Sep 2012
Drowned Man in a Dry Creekbed - Happy New Year 1993, 6 August 2012
Opera in a land of Song, 29 July 2012
Considering the aboriginal land of Altjira, 20 May 2012
I thought of this again when we visited the Francis Bacon exhibition at the Art Gallery of New South Wales on Sunday.
http://www.artgallery.nsw.gov.au/exhibitions/francis-bacon/
You saw Bacon returning time and again to similar themes - Crucifixion, nailing, meat, carcasses, flesh, crumpling (as in crumpled paper)...
In Singing the Land, Signing the Land, a book brought out some years ago by Helen Chambers with the Yolngu community at Yirrkala and David Wade Chambers, the authors pointed out the way varying divisions of life prove the fictional 'constructedness' of our worlds.
http://singing.indigenousknowledge.org
The Dyirbal people of Queensland, they mentioned, have a category that includes men, kangaroos, most snakes, storms, rainbows and boomerangs, and another which includes women, fire and dangerous things. There are aboriginal people who would disparage our categorization of emus as birds; emus don't fly. How can we even think of dividing up the world this way?
I wonder what the categories of my blogs might say about me - Central Australia, Sydney scenery, Aranda culture, AFL football, Washington, Jefferson, Wagner opera, Philippa Duke Schuyler, Inner West vignettes...
The closest I have to a photo of Gap Road. This is actually Stott Terrace, which crosses. Gap Road runs perpendicularly to this towards the gap in the ranges on the left of the picture. |
And what creates these fusions. For example, I have a strong memory dating from 1983 of sitting in my friends the Christians' house in Gap Road Alice Springs; we all ate Toblerone, drank Earl Gray and listened to Side 4 of Solti's recording of Mahler's Eighth Symphony (the bit beginning with René Kollo singing, 'Blicket auf zum Retterblick (Look up to the redeeming sight...)'
love the use of the fish-eye lens to capture the whole cast of Mahler's 'Symphony of a Thousand' |
If you liked this blog, others of mine on Central Australia are:
Life-changing statements, 16 December 2012
Ah, Nathanael, 29 November 2012
Victory over death and despair in a bygone age (thoughts on John Strehlow's The Tale of Frieda Keysser), 5 Nov 2012
Virginia in the Desert, 10 Sep 2012
Drowned Man in a Dry Creekbed - Happy New Year 1993, 6 August 2012
Opera in a land of Song, 29 July 2012
Considering the aboriginal land of Altjira, 20 May 2012
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